Oscars 2023, Reviews

Oscars Watch 2023: Elvis Review

Tom Hanks’s Colonel turns a great movie into a good one, which is a real shame.

Score: 3/5

Baz Luhrmann’s Elvis has the director’s unique style plastered all over the retelling of Elvis Presley’s life, for better and worse. The King of Rock and Roll’s career is a powerful and sad story all at once, but Luhrmann’s tendencies don’t necessarily make for the best film. For every interesting shot, there is a bizarre choice like adding modern music spliced with Elvis’s music as an example. Hearing a song from Doja Cat in a movie about Elvis is just odd and pulls me out of the experience every time. A bigger issue though that really hampers this movie is the story decision to frame this story around the narration and takes of Elvis’s business manager, Colonel Tom Parker played by Tom Hanks.

You see, on top of Hanks’ over-the-top performance feeling out of place with everyone else in the movie, Colonel Tom Parker is the villain of the film. Not an oh-you-like-this-guy type of villain. No, this is guy you just don’t want to be around. Except the writer’s decided that the best way to move through the events of Mr. Presley’s life was through the guise of a scummy con man that would fit more in the SNL sketch of this movie than the actual film itself. Like the music choices I mentioned earlier, it’s perplexing. The movie makes no secrets that this character isn’t one to root for, which is fine, but why have him be the glue of the story of Elvis? Why gloss over moments and other aspects of the central character for someone that is very one note? He wants money, he wants to use people to get money, and that is all there is to it. These questions only become more glaring as you watch the movie since Austin Butler delivers an award worthy performance of Elvis.

This movie would not be in contention for best picture without Butler’s performance. He’s excellent as Elvis and adds additional depth to the character where the script decided to focus more on the Colonel. Butler is electric and commands the screen in every scene. You can see that addiction to both the love of the crowd and the drugs in his eyes. There’s that pain that the movie doesn’t spend nearly enough time exploring that he makes clear in just looks. It’s always key to getting the casting right, and everyone else outside of Hank’s Colonel meshes well with Butler’s Elvis. They feed off each other and make for compelling moments, and fun concert scenes. Why it was decided to not let Elvis be the teller of his own story will always confuse me.

There is a better movie within the parts of Elvis, a movie that could have been close to a no brainer for winning the Best Picture. Instead, odd choices in the plot, production, and a wacky performance from Tom Hanks keeps this movie from being a great one.

Reviews

The Fabelmans Review

Spielberg captures the magic of movies as only he can.

Score: 4/5

Walking out of the theater after watching The Fabelmans it took me a while to process everything I had seen. The story is inspired by Director Steven Spielberg’s own childhood, and it explores many different subjects. The struggles of mixed support about a passion, a dysfunctional family life, and antisemitism, but at its core, it speaks to how powerful art (in this case, movies) can be to help any one of us in navigating through the trials of life. It’s about dreams, and how we shouldn’t push them aside no matter how hard it can be to accept what that may cost.

Like many of Spielberg’s movies, he finds the right balance in the emotional story while peppering in drama, comedy, and joy that all of his coming-of-age movies nail. Also, per the Spielberg norm, he has an eye for exceptional young acting talents in his main lead Gabriel LaBelle. In a movie with Paul Dano, Michelle Williams, Seth Rogen, and Judd Hirsch it would be easy to get lost in their shadow but LaBelle shines as Sammy Fabelman. You feel for his struggles of having one parent who sees his passion as a mere hobby, and the other struggling to accept that they don’t love their partner. This is all on top of having no escape outside of the home with antisemitism at school.

It may seem I am painting the picture that this is a sad movie, but it’s anything but. Throughout we see the wonder of someone falling in love with their creative expression. We see how this affects his connection to his family, be it his mom, his dad, or his sisters. We even find time for some action set pieces that at once seem insane yet completely in line with the movie’s dance between whimsical and dramatic. It may seem par the course for Spielberg, but it feels different in this story. I also appreciated his peppering in of his Jewish culture exposing me to aspects of childhood that I have never experienced myself.

This is a movie that through all the dramatic and fun moments, comes back to the same idea, Sammy can’t escape, or ignore what he loves. It’s making movies and it’s that theme weaving in and out of all those moments that hit me hardest. As someone who continues to battle with the idea of following your dreams versus what the world at large tells you to do instead, this movie kept me entranced. While I may have known where things would end, I cheered for him to keep on pushing for his dreams, because what else is more magical than that? The Fabelmans isn’t just a love letter to film or a story about his childhood. It’s a charming and powerful reminder that no matter what, you must listen to your heart.

To all you artists out there, watch this movie, and feel that extra hit of inspiration. Spielberg’s got our backs.

Reviews

M3GAN Review

DON’T F WITH AI

SCORE: 3 / 5

Another first weekend of January, another horror movie to get the movie theater year going! This year Universal brings us the andriod-mixed-with-horror-doll movie M3GAN. I had a fun time watching this movie, it has a good mix of humor, and unsettling horror as an AI four-foot doll is tasked with protecting a young girl processing the death of her parents and as you’d expect it goes entirely off the rails.

Let’s get the not-fun stuff out of the way first. This movie falls back on a tried-and-true plot of many science fiction stories, don’t make a super advanced computer without putting in some aggressive guardrails. Otherwise, you get a Model 3 Generation Andriod (aka M3GAN) that very quickly decides the solution to most problems is murder. Along with that is the human part of the story to give a reason as to why M3GAN comes to be. M3GAN’s creator, Gemma, works for a company that makes somehow more annoying versions of Furbies. Remember those ugly-looking things? Anyways, the movie opens with her sister’s family on a car ride getting hit by a snowplow leaving just her niece, Cady alive. As a way to cope for Cady, and as an escape from being a parent Gemma finishes a prototype for a ridiculous idea for a future children’s toy, M3GAN, and introduces it to Cady. The movie glosses over the ideas of processing trauma and parenting just enough to justify the plot that follows, but it’s definitely the least interesting part of the movie. A standout moment of this is showing the level of withdrawals Cady will express when not with M3GAN. It’s a bit much.

That said, this movie knows what people paid for. A bonkers evil doll doing terrible things. Watching what is the size of a child incorporate a dance she learned from Cady as she prepares to murder someone is always entertaining. Instead of the supernatural twist of powers beyond her physical body, M3GAN is an AI and the movie leans into this several times to show that if there is technology to hack into, she will use it. Anytime M3GAN is on screen there is always either a moment of horror or comedy which is good news with this being the main draw of the movie. It’s simple and it works, focus on the killer robot doll and the movie shines.

All to say, M3GAN is still the typical horror movie with the same beats you have probably seen twenty times, but it’s the unique flavor of mixing AI, a terminator, and a toy doll that makes for a fun time at the theater.

Reviews

Thor: Love and Thunder Review

It’s fine, Thor’s fine, Marvel’s fine. Right?

Score: 3/5

As Marvel Studios continues down the road of what the heck to do after Avengers: Endgame it has felt more and more like Marvel doesn’t know either. Maybe it’s a strategy to come back with a more robust vision in time, or an admission that what came before will not be possible to sustain going forward. All that is to say Thor: Love and Thunder is another fine, okay, it’s alright kind of movie. One or two every so often in this never-ending journey of Marvel characters is one thing but it’s getting a tad exhausting.

Getting that out of the way time to really talk about Thor: Love and Thunder. It’s solid, and pretty funny at points if you are into the child-like humor that director Taika Waititi is known for. My two personal favorites are a pair of ridiculous goats and a love triangle you may or may not see coming between Thor and two other “characters.” Chris Hemsworth’s more comedic Thor still works so much better for me than serious over-the-top drama pre-Ragnarök Thor ever did. Natalie Portman’s Jane Foster / Mighty Thor feels like the first time that she has been given a fun role in a big blockbuster. It’s clear from the get-go that she got to enjoy herself and not feel trapped under the weight of a weak script for her character. Then there is Christian Bale’s Gorr. He is creepy, he is interesting, he is fun to watch on screen, and just like 85% of Marvel villains he gets very little time for the audience to enjoy him.

While the movie is funny and has plenty of action beats, I felt that as I watched the movie felt hollow. It ran at a quick pace like it wanted to be over as quickly as possible. Very few beats had moments to breathe or be challenged. Gorr, as I mentioned before, was severely lacking in some of that department. While on the topic of Gorr and Marvel villains again. I have reached a breaking point of seeing random monster henchmen designs. They don’t make for interesting action scenes after you have seen it done a bajillion times in the MCU. One last nitpick, for me, voice-overs are the hardest thing to pull off in a movie without feeling lazy or too over the top to get the point across and this movie has moments like that. It didn’t work for me in the slightest.

I still can’t quite put my finger on what has been going on recently with the Marvel releases but Love and Thunder continues the trend of being adequate. It isn’t wowing you with anything so amazing on screen that you can be distracted from other shortcomings, but it also isn’t so offensively terrible that you won’t have at least a good time at the moment. Thor: Love and Thunder is the second best-ish Thor movie, which after Ragnarök the bar is admittedly low. It’s fun at times, dumb at others. It’s very empty of a movie but moves fast enough that you may forgive it. It’s okay, which hey take that as you will when deciding if it’s worth seeing in theaters or waiting eight weeks for Disney+.

Reviews

Everything Everywhere All at Once Review

Everything Everywhere All at Once really does feel like everything, everywhere, all at once. It’s a masterpiece.

Score 5/5

Directors/Writers Dan Kwan and Daniel Scheinert’s Everything Everywhere All at Once is something special. It made me laugh, it made my cry, it made me reflect upon myself, and I can’t stop thinking about it after watching it. It’s one of the best films I have seen this year, and one of the best films I have seen period.

Everything Everywhere All at Once follows Michelle Yeoh’s Evelyn Wang, a Chinese immigrant mother trying her damnedest to keep her family and her family’s business from falling apart. In the start of the film her marriage is crumbling, her relationship with her daughter is strained, her relationship with her father is strained, and her family business is on thin ice with the IRS. It’s a lot for anyone person and just when it seems things can’t get worse, Evelyn learns an insane truth, she alone can save the universe from an impending doom by connecting with other versions of her life throughout the infinite alternate universes.

That last bit threw you for a loop, right? Well, it’s not even close for how wacky this movie gets, and while the film goes to absurd places it never loses that drama. It amplifies it, it dives in headfirst to speak about everything that Evelyn is going through. I don’t want to spoil how off the wall it gets, but it’s a film that oozes in confidence taking you on a ride that will make you feel many feelings and revel in the entertaining action that you have probably never seen before. Did I say action? Yeah, this is just as much of an action movie as it is an adventure, a drama, a comedy. I desperately want to say more about what you are in for, but I don’t want to spoil it. If you are even remotely interested, go in with as little information as possible. You’ll thank me later for that recommendation.

The main cast of this movie are excellent in this story that jumps all over the place. Michelle Yeoh is brilliant, she carries this film with poise through every wacky moment and every heartfelt dramatic beat. Ke Huy Quan plays Evelyn’s husband Waymond Wang with such child-like charm and energy. His positivity radiates even in the darkest moments. Stephanie Hsu rounds out the main trio of the cast playing Evelyn and Waymond’s daughter Joy. She has just as a heavy load to carry in this film as Yeoh does and she nails it. Everyone in the cast buys in to the absurd, to the dramatic, to the journey of this film. Like I said the film is swimming in confidence and you can see it in cast.

This is all wrapped in a production that just goes for it. You see it in the costumes and set design. You hear it in the score and sound. Every element is giving is their A-game. How I want to say more specific things, give you hilarious examples, but I’m resisting. This is a movie that if you generally like movies you have to see this. So don’t wait, find a theater, find a showtime, experience this movie!

Reviews

The Adam Project Review

The Adam Project passes the Netflix algorithm test.

Maybe Watch It?

It’s been a little while since I have watched a Netflix original movie. What I remembered from the last few I watched were they felt like they were created by an AI that just looks for the buzz words it can find from viewer patterns. I figured though, why not check out The Adam Project. Director Shawn Levy makes fun movies, and I enjoy the Ryan Reynolds humor. Well, this movie still feels like it was made by the Netflix AI checklist, but with the exact things I just described.

The Adam Project is a solid, unoffensive, pre-teen adventure movie. It has a simple sci-fi plot about time travel, which gives the excuse for some flashy special effects. It has very clear lines of good, Ryan Reynold’s Adam Reed, and bad, Catherine Keener’s Maya Sorian. It even gets MCU alums Mark Ruffalo, and Zoe Saldana in the mix to give it a little more star power. It’s simple, the plot moves quickly with little time to really think about what’s going on and isn’t really trying to do anything that will stick in your brain. Typical Netflix content.

I won’t waste time nitpicking the plot because the movie isn’t trying to blow your socks off in that department. It’s simple stuff, think of an even more bland version of simple MCU plots and you get the idea. The most interesting about this movie which happens to be the heart of the movie is the dynamic between Reynolds’ adult Adam Reed with Reed’s twelve-year-old self played by Walker Scobell. Reynolds has a very specific kind of humor and Scobell does a pretty great job nailing that style but in a young boy’s delivery. They have solid chemistry and honestly if it wasn’t for that this movie would be a slog to get through.

What you get is once more another by the numbers movie that you can put on with the family or have on in the background to pass the time. Do you NEED to watch this movie? Not at all, but if you enjoy simple action-adventure movies for families or family-friendly Ryan Reynolds you might want to give The Adam Project a watch.

Reviews

The Batman Review

Vengeance has arrived. The Batman is the detective take on the caped crusader that we have always been missing.

SEE THIS MOVIE NOW!

Director Matt Reeves and team have given me the Batman movie I have always wanted to see. It’s a detective story, one where we see Robert Pattinson’s Batman solving a mystery, specifically what Paul Dano’s The Riddler has in store for Gotham City. When I say it’s a detective story, it means we see a whole lot more of Batman observing, questioning, and trying to piece things together with some sluthing versus where previous Batman movies have the super Bat-Computer solving the mystery really quickly, and it’s more Batman has to do a Batman fight to solve the problem. This isn’t that movie, the focus isn’t about finding the next person for Batman to beat up, which he still does in the movie, but it doesn’t feel centered around it. Batman also teams up frequently with Jeffrey Wright’s Gordon, Zoe Kravitz’s Selina Kyle, and Andy Serkis’s Alfred to piece together what in the world The Riddler is trying to bring to the light.

With so many side characters it would be easy for them to get lost, but the three-hour length really gives the movie time to give you moments with everyone. Everyone also includes more interesting villains like Collin Farrell’s completely unrecognizable turn as Oswald Cobbelpot aka The Penguin and John Turturro’s Carmine Falcone. This movie has a lot going on, and a lot of characters to juggle but like a good Batman comic or the excellent Batman Arkham video games, The Batman intertwines them so well that it feels so much more interconnected. Everyone revolves around the central mystery of the dark past of Gotham and it makes for a fun watching experience as everything and everyone gets pieced together.

Storywise, this movie isn’t about how Bruce Wayne becomes The Batman. He already is. This movie is about Bruce understanding that there has to be more to The Batman than just fear and beating criminals up. While it’s not an origin story for Batman, it is for the several villians mentioned above, The Riddler, Catwoman, Penguin, they all grow into who they are meant to be throughout this movie.

As for characters as a whole, the cast nails it. Everyone is super compelling and fun to watch. At times Pattinson’s Bruce may be a little too mid-two thousands emo, but he is also someone who never properly processed his parents’ death and is a reclusive rich white man who fights crime at night so I can allow it. I have been far over the constant, rich playboy version of Bruce Wayne. Bring on more of the tortured young man who is working through severe trauma. As Batman though, this is my favorite version of the character by a mile. His more makeshift approach to things, the more listening, and slow menace approach is super welcomed. He makes other versions of the Batman look like a theme park entertainer in comparison. This is a Batman that would scare people. Which is the whole point right?

Other standouts are the trio of villains. Paul Dano is so damn creepy as The Riddler. When something doesn’t go perfect and he has his violent outbursts, ooof that is something to watch. Zoe Kravitz as Selina Kyle / Catwoman is a lot of fun. You can feel for her situation and wanting revenge, while she radiates a playfulness that is both attractive and funny depending on the moment. Also, the chemistry between Kravitz and Pattinson is excellent. I can’t remember the last time where Batman having some romantic feelings for another character didn’t feel super hollow and wooden. They both play tortured souls that have a connection very well and it shows. Finally, Collin Farrell as the slimy Penguin is just great. Beyond not being able to tell it’s Farrell, the guy is just that type of scum that you just want to punch in the face. He’s both pathetic and dangerous at the same time.

I would be remiss to not mention the visuals and audio end of things. Cinematographer Grieg Fraser masterfully captures the darkness and grime of this version of Gotham. The lighting, the shot composition, there are moments of this movie that would look excellent on a canvas. In the audio world, Michael Giacchino shows that it’s possible to make new themes on classic characters that have already had memorable scores in the past. All three of the big themes, Batman, Catwoman, and The Riddler perfectly complement their onscreen characters and elevate the scenes. But one bit of audio that I had to mention outside the score, is the thuds of when Batman is walking out of the shadows. It’s menacing and sets the mood that this guy is not someone to mess around with it. It’s great, and I couldn’t get enough of it.

All of this is to say I loved The Batman. There are far too many things I want to say about this movie and have every intention of seeing it several more times in the theaters. This is not just another Batman movie this is THE Batman, and if you are even a casual fan you need to check this one out as soon as you get a chance.

Reviews

Spider-Man: No Way Home Spoiler-Free Review

The best Spider-Man has been.

Watch This NOW!

Spider-Man films have always had a chip on their shoulder when it comes to the closing chapter of a series of films. 2007’s Spider-Man 3 fumbled it, and the gone earlier than expected 2014’s Amazing Spider-Man 2 crashed in flames. There just hasn’t been that one to stick the landing. The common theme with both of those films was going bigger and adding as many villains as possible. It was a balancing act that just didn’t work for either of those enteries. Well Spider-Man: No Way Home goes bigger, it is stuffed to the brim with characters, and it worked. Spider-Man: No Way Home is the best live-action Spider-Man to date.

Its expert mixture of characters, action, and emotional moments elevates this film far beyond just Spider-Man movies. It is really up there at the top of all the MCU movies so far released. Make no mistake the action and large amount of characters push this movie to move at a quick pace but it never feels like it needs more time to breathe. Everything fits very nicely, but all of this would be for nothing if the story didn’t have a strong punch for Peter. This movie does that, again and again. There were several moments in this movie that put a tear in my eye, and there were many laughs to be had. There were moments of audience wonder and group reaction that really I have only seen in a handful of other movies period.

Suffice to say, this third entry hits every note, splashes you with nostalgia in all the right ways, and moves you emotionally like so few of the Marvel films do. It’s the best acting I have seen from MCU Tom Holland and the Spider-Man movie that for the first time in the MCU really tackles the Spider-Man question what comes with great power? Responsibility. Spider-Man: No Way Home is excellent and is one of the most fun movies of the year.

Reviews

Eternals Review

Marvel’s Eternals brings the most unique and visually grand MCU origin film to date.

Watch This NOW!

Here we are with the third marvel film in five months, after the pandemic-induced hiatus Marvel has kept the releases coming every couple of months. The Eternals is the last of the year from Marvel proper and out of the three releases including Black Widow and Shang-Chi, Eternals is the most interesting of the bunch by a mile. Not since Guardians of the Galaxy have we had a Marvel film that is throwing so much at the wall. A massive cast of new characters, large cosmic proportion level story threads to the universe, and not following the traditional formula to a when it comes to first entry Marvel films. That is to say, this movie is tackling A LOT.

In a nutshell, Eternals is about a group of immortal super-powered humanoid aliens sent to Earth for the purpose of protecting humanity from another otherworldly threat called the Deviants. Sent by the Celestial (planet-sized god-like beings of the universe) Arishem, they are instructed to avoid interfering with all other human conflicts, and so the team does that. If there isn’t a Deviant threat there only task is to live among humanity. So this is what happens for thousands of years until an inciting incident of more Deviants draws them out of their exile from the world and each other.

Did I mention this movie is tackling a lot? This is where I imagine some viewers may get a bit lost as the film does a bit of back and forth between the present conflict that draws the Eternals back into action and their many adventures from the dawn of man till now. It caught me off guard at times in the beginning but eventually after some table setting the movie flows nicely as we follow lead actress Gemma Chan as Sersi on her quest to unite her fellow Eternals to save Earth from a terrible fate. Which this alone would have been good enough for a Marvel film, but director Chloé Zhao aims for more than just the bare-bones adventure plot. The majority of the Eternals have at least small arcs and conflicts that make each of them feel more than just another sidekick for action scenes. The cast is all very likable and gives strong performances. They all carry their weight to equal levels that I don’t necessarily have a stand-out to point to. Perhaps Barry Keoghan’s conflicted Druig, who has some very interesting moral conflicts with the rest of the Eternals based on his ability to control minds.

That’s the interesting thing about this movie overall, most of the immortal beings have very different feelings of responsibility, humanity, and what they are willing to do or not do in the name of their beliefs. You can feel Zhao at points was definitely taking aim at the current state of the world where everything turns into a battle of blood when sometimes it could be easily tabled with “I respect your feelings, I feel differently so I’m going to stay out of this conflict entirely.” Like I keep saying this movie is aiming to do as much as it can, and many could argue that it hampers the focus of the movie, but to me, it just enriched what would have otherwise been just another Marvel movie.

Beyond the plot and themes, I really think it’s important to mention how beautiful this movie is. The natural vistas, the epic grandiose shots, this is a movie for a big screen for sure. Cinematographer Ben Davis did an excellent job and should be proud of bringing something like this to the world of the MCU. To accompany this the great composer Ramin Djawadi was a perfect choice to score the film. This work echoes the beautiful scores that many HBO viewers are familiar with from Game of Thrones and Westworld. In combination, these two help set the mood for each scene from revelations to the big Marvel action you’d expect.

All in all, Eternals was a fun fresh Marvel film which at film 26 in the franchise you kind of have to be, or else it just doesn’t work as well. Out of the many origin movies in the MCU Eternals is up there for me as one of the most ambitious, and unique. That alone gives me hope for what is to come from following these characters, for make no mistake there are many more adventures ahead for immortal heroes to come.

Reviews

Dune: Part One Review

This is only the beginning indeed

Watch This NOW!

Now before we get down to my thoughts, a quick background. Have I read the book? No. Have I seen other attempts at adapting the book? Also no. I don’t have any prior exposure to this material, so beyond my bias of already enjoying previous films by Villeneuve, I have nothing else tugging me in one direction or another. With that all out of the way, let’s get to the movie!

Dune: Part One, is a visual splendor, a film that tells its story as best as it can through visuals and trusting that the audience can follow along without a constant need for being told how to think or feel. Does it accomplish this all without some exposition dumps here or there? No, it has those, but in ways that make sense rather than feeling more like a forced explanation directly to us watching. The story follows Timothée Chalamet’s Paul Atreides, the son of Duke Leto Atreides (Oscar Isaac), on a tragic journey of responsibility being forced upon the young man through political machinations from both the galactic empire he was born into from his father as well as a religious one from his mother. Caught as a pawn in a bigger game for control over the most important resource in this galaxy (the Spice of Arrakis) Paul must accept his part to play for his sake as well as the galaxy as a whole. This is all while Game of Thrones level political moves are playing out for control over more than just the desert planet Arrakis.

This movie is dense, it’s building out a massive world (galaxy really) that feels like the previously mentioned Game of Thrones and Star Wars blended together, with a dash of Lord of the Rings thrown into the mix. I gave a raised eyebrow to marketing using these comparisons but after seeing the movie twice, this is exactly that. This could be the start of a visual adventure that will long live beyond its initial release. I was intrigued by every new detail of the world, so much so that yes, I’ll read the book. Even with that pull to want to know more, I never felt like I was not given enough to enjoy the main tale that involves Paul. I have heard of feedback that the movie has no depth in characters, so many are introduced but glossed over in favor of Paul. Seeing as Paul is the character the movie is following I don’t quite understand that criticism but hey that’s just me. A final bit on the story, from the opening of the movie, saying Dune: Part One, it was clear to me this movie was not going to end with a clean it’s over kind of ending. Well, my only major spoiler here, it doesn’t end with a this-story-is-over kind of ending. Sorry. Keep that in mind if you plan on watching it.

Alright now onto everything else. This movie’s cast is stacked. Chalamet, Ferguson, Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin to name a few. I almost listed every character with a name because they are all talented actors bringing their A-game. Not a one disappoints, and some are downright memorizing in their performances. Capturing these moments and all the beautiful frames of another galaxy is the formerly mentioned cinematographer Greig Fraser. The movie is like a moving painting. Scene after scene, you could take a snapshot and have something breathtaking to put up on a wall. It’s a splendor for the eyes and deserves to be seen on the best display you can. IMAX, Dolby Cinema, or a TV most of us can’t afford, find a way to watch it one of those. Before jumping to the excellent score, I did want to mention that the production design from sets, special effects, to costumes are all top-notch. Everything brings you deeper into these places, not like our own. Everyone involved in this production deserves praise for what they were able to bring to the screen. Finally, I wanted to bring up what seems like an obvious statement, Hans Zimmer delivers every time. Dune is no exception. This score is beautiful, haunting, and elevates every moment. It’s a score you can listen to post watch and picture moments in your head. Those are the kind of scores that every composer should aspire to make.

Zendaya’s Chani utters the line “This is only the beginning.” To that I say, it better damn be. This introduction to the world of Dune was amazing, and I cannot wait to continue Paul’s journey in a Dune: Part Two. So everyone, go out there and give this visual masterpiece a shot because I reallllly want a Part Two. Thanks!